Man, that statement is all kinds of ignorant, and not just to Jews and blacks, but because I'm recognizing Lina Leandersson's role in this film through Moretz's portrayal of it in my native language of Americanese, rather than appreciating the original work of art, regardless of the language barriers and blah-blah-blah. Oh, shoot, now we've Jewish Blackulas to deal, so I guess that effectively contradicts the idea that Chloë Grace Moretz is too perfect to be in "Carrie", because there's no getting pig blood on that girl, unless, of course, she gets the pork rinds out of. Only in Stockholm can stuff like this happen, or at least in a suburb named Blackeberg, which sounds either foreboding, - what with the "black" in its name and whatnot - or, well, a black Jew. I was going to try and figure out some way to deem this "Twilight" for kids or something, but as if "Twilight" didn't seem neutered enough for you, man, the pre-teen children in this film get themselves mixed up in some messed up shenanigans. At any rate, if I'm going to be referencing any modern rock song, especially in a discussion about a Swedish film, chances are that it's by The Flower Kings, but I don't even know if they fit here, because as this film most definitely will most definitely you, Roine Stolt is probably the only modern Swedish artist whose efforts are upbeat, or rather, not deeply disturbing to some extent. Jeez, I've heard of taking sides, but come on, people, what about the left one? It's a cheesy joke, I know, but I just couldn't help myself, and besides it was either that or a reference to "Let the Right One In", and you don't know cheesy until you evoke Morrissey, one of the innovators of indie music.
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